Sustainability

How sustainable fashion leaders use technology to build more meaningful business by Nina Gbor

Fashion is the 7th biggest industry globally, currently worth $2.4 trillion. It is also the second most polluting industry in the world: creating 92 million tonnes of textile waste and 1.2 billion tonnes of carbon emissions, more than all international flights and marine shipping combined. 

With the global population expected to reach 8.5 billion by 2030 and our overall apparel consumption forecast to increase by 63%, there is no doubt that our current trajectory has us heading towards absolute catastrophe. 

Fortunately, change is in motion. 

Over the last 18 months there has been a radical shift in the overall mindset, reimagining the way we make, buy, use and dispose our clothes. Circularity being the goal, a means to achieve climate and resource protection whilst supporting economic growth.

Here in Europe, unique collaborations between Global Fashion Agenda (GFA), International Apparel Federation (IAF) and Sustainable Apparel Coalition (SAC) are stewarding transformative change to build a more circular economy, technology playing a pivotal part in facilitating this at scale.

I was curious to learn more about what sustainable fashion leaders back home are up to and how they are using technology to build more meaningful business. What better place to begin this conversation, than with a fellow female founder Natalie Johnson, CEO of Sustainable Fashion Marketplace, COVE.

Image: Natalie Johnson, CEO of COVE

Image: Natalie Johnson, CEO of COVE

What inspired you to move from “traditional" retail into sustainable fashion? 

I’m predominantly a fashion buyer with over 15 years’ experience in “traditional retail” but have spent a number of years working with start-ups in the fashion tech space. It was here that I was asked to be a judge at a pitch competition for fellow start-up companies in the ethical sector. One of the contestants was Gordon Renouf, Co-founder of Good on You. I was fascinated by his story and the huge traction he’d achieved. Everything he was creating aligned perfectly to my then side-hustle, COVE and I was keen to collaborate. It was actually Gordon who suggested I pivot my business model into the ethical space, which I did 18 months ago and have never looked back. When industry heavy weights like Farfetch, Yoox-Net-A-Porter and Matches Fashion are releasing “conscious” collections, and here in Australia The Iconic and David Jones have gotten behind transparency, you know it is not a trend – it’s here to stay.

 What significant differences between “traditional” and sustainable retail have you experienced?

The main difference I’ve noticed is mindset. There is a huge shift towards collaboration and community spirit in sustainable fashion. Everyone wants to share and help those around them succeed, it’s a very rewarding space to work amongst thought leaders taking risks and actually making positive impacts. The attitude of the customers in this space is also different. They’re incredibly passionate, kind and vocal. Gen Z in particular is an enormously powerful and educated sector, who wants to know the origins of items before they buy. This is making transparency a critical part of the value offering and will be price of entry for any fashion brand wanting to exist in 10 years. Another big difference with conscious shoppers is their loyalty and how they will become true brand ambassadors if they believe in your purpose. 


Can you share any particular insights around customer behaviours and how you are leveraging these to provide optimised experiences which directly impact your bottom-line?

Customers want to build trust, with where and how they shop. They realise that every time they’re opening their wallet, they’re voting for the world they want to live in. Whilst I don’t want to give away specific insights just yet, I will say our customers want to be heard. We have created a specific Facebook group for our most loyal VIP customers where we ask this community for their insights and road test some ideas before building out features. This has saved us valuable time and money and has been deeply insightful in how to map our priorities to deliver the most meaningful impact. Without our customers we are nothing, so it is important to us for them to feel involved.

Brands, like many businesses today, are more and more confronted with demands to play an active role to reduce their environmental footprint. What are some things your brand partners have adopted to get this balance right?

It’s not just about packaging however that is the biggest start. Many of our brands are switching from plastic polybags to biodegradable or compostable mail bags. We also have brands like Arnhem from Byron Bay that have incredible initiatives where they have a composting bin for their staff and even grow themfresh fruit & veg. Tigerlily are calculating and offsetting their carbon footprint, by only using sea freight vs airfreight to save tonnes on carbon emissions. There are other, simpler, considerations such as using recycled card and ribbons to tie on swing tags. From an apparel point of view it’s avoiding polyester like the plague. We want to ensure we never stock polyester garments. We can’t say with 100% confidence that a thread or label isn’t polyester, but we are working towards being polyester free and encouraging brand partners to never use it in their garments as there are enough green alternatives out there.

What tech solutions or changes have you made or are in the pipeline to reduce your environmental footprint and/or give back?

There’s little things such as the entire COVE team using Ecosia as our search engine, who plant 1 tree for every 45 web searches. They are currently up to over 60 million trees! We want to share our own contribution towards this with our community, so are in the process of developing a widget which will have a live counter of how many trees we as a company have planted and also how to offer this initiative to our customers at checkout so that together we can become carbon positive. One other element to our business model is licensing our Clo3D design software which helps brands improve efficiencies, reduce costs and lower emissions in the pre-production phase of garment sampling. Then there are bigger, more complex pieces of tech, such as building a blockchain with partners Flight Path for trusted radical transparency through brands & designers supply chains.We are also working on a new feature that will allow customers to either: buy new, rent, sell second hand or donate their product, in one convenient place. Plus at checkout, we’re partnered with i=Change; a charity platform where $1 is donated every time a transaction is made, which goes to empower young girls in underprivileged communities.

You're a passionate advocate for positive change. What is your secret to success? 

Collaboration. I cannot bring my vision to life on my own nor do I want to learn and build all the technologies required from scratch, especially when most of them exist. Instead my approach is to partner with masters within each area and work together to create a better future. We have been very strategic in our partnerships to ensure they not only align with COVE’s core values and long-term objectives but are positively changing behaviours and making a profound impact.

What shifts are you seeing brands take or not take to build a more circular economy?

Packaging is again the first visible and noticeable change. Fabric waste is starting to be minimised through the design process with tech like Gerber, which can layout your designs to optimise the fabric and eliminate/reduce waste. We’ve identified that designers do not generate revenue on the rental and second hand/donation side of the market. This could be a welcome change that tips behaviours towards building more innovative and circular models like those created by Threadtogether here in Australia or ThredUp in the USA. Moving to adapting a more circular model is slow. Not through reluctance. I think we can all agree everyone wants to be making this change, it’s through education and information. This may be because it is new, there are still many unknowns and costs associated that can make the changes seem prohibitive or restrictive. We think Anne Marie Bonneau says it best when she says “We don’t need a handful of people doing zero waste perfectly. We need millions of people doing it imperfectly.” and that’s what we encourage with our partners. 

It’s an incredibly exciting time in fashion tech, a sector which remains a Pandora’s box of opportunity to explore, create and transform in ways that delivers positive impact at scale. 

As we are witnessing the world over, the future does not need to be a compromise between achieving social, economic or environmental prosperity. We can have it all if we are collaborative, conscious and harness technology to create the much-needed systemic shifts towards a circular economy. 

Written by guest blogger, Penny Whitelaw, Co-Founder of To Me Love Me

Insta: @2meloveme I Facebook: @2MeLoveMe I Twitter: @WhitelawPenny

Bright Yellow Winter by Nina Gbor

20180701-IMG_9812.jpg

My wardrobe is full of vibrant colours to keep my style fun and playful. Recently the days have gotten shorter and the weather colder for many of us in the southern hemisphere. To help me mentally cope with the colder, darker days, I up the ante with BRIGHT, BOLD COLOURS!

Exhibit A: this super bright yellow early 1980s hand-me-down I got from my friend’s mother, Maryanne. Maryanne is my good friend Kylie’s mother and she has had this gorgeous yellow number since the early ‘80s before she had Kylie and her sisters! Fortunately for me, none of them wanted the dress so I got it. I rocked it with a pair of light brown studded falcon ankle boots I found in a preloved boutique. 

20180701-IMG_9862.jpg

Have you ever noticed that most Winter attire in retail are usually dark and neutral colours, while summer clothes are often bright, cheerful and colourful? I think it should totally be the other way around. We should have bright clothes in winter to raise the energy and ambience of the cold, dark days with cheery, vibrant colours. And then in summer, when we already have longer, brighter days, more sunshine and generally lighter moods as a result, we can opt for darker colours and/or just maintain the colour vibrancy. 

IMG_0006.jpg

 I do my best to extend my summer wardrobe through to winter by wearing thermals underneath clothes and jumpers when needed. This means I get more use from my clothes, buy less clothing for winter and therefore waste less clothing. And quite significantly, I get those bright, energetic, colour boosts in winter. It also has a positive effect on anyone who sees me on a winter day because they get hit with an uncommon dose of ebullience. 

IMG_0007.jpg

So, this dress is a metaphoric toast to those of us with winter days ahead of us for the next few months. Stay warm and keep it colourful! 

Outfit sourced from:

1980s yellow dress: Hand-me-down from Maryanne’s wardrobe.

Light brown studded falcon boots: U-Turn Preloved, Vintage, Designer Fashion Boutique

Photos by Brunela Fenalte Photography. 

♥ Nina Gbor

Secret Sisterhood social enterprise for women by Nina Gbor

Nina Gbor on the left hand side. Jacquie Love on the right hand side.

Nina Gbor on the left hand side. Jacquie Love on the right hand side.

I’m all for social enterprises that empower, uplift and inspire women. I spotted the lovely Jacquie Love outside of the International Women’s Day event, held by the UN Women National Committee Australia in Canberra last month. 

IMG_9025.JPG

Jacquie was raising funds for UN Women’s gender inequality initiatives by selling beautiful jewellery she designs for the label she founded, Secret Sisterhood. It’s a mission/purpose driven social enterprise that employs women in India to make the jewellery and then gives 100% of profits to charities aimed at ending gender inequality. 

CL_SecretSisterhood27.jpg

Secret Sisterhood is also a movement, a growing community of women and girls with the collective goal of ending gender equality. They are a global community connecting through events, services and of course jewellery.  One of the things that caught my eye at the UN Women event were the compliment cards from Secret Sisterhood. Inscribed with phrases like “You are really strong” or “You should be so proud”, this is the perfect thing to completely shift someone’s day into a happy one. I might even keep a few in my wallet as my self-love affirmations.

CL_SecretSisterhood4.jpg
IMG_9041.jpg

I also loved their Intentional Words jewellery line each with words like Love, Gratitude, Kindness and Peace. These are pieces I would wear with nearly any style of outfit. It feels good having a positive word or symbol with me all day long. 

IMG_9024.JPG
CL_SecretSisterhood19.jpg

Needless to say, I’m now officially a fan of Secret Sisterhood. It’s one of the exemplary enterprises, showing how a business can be run in a way that uplifts, supports everyone involved.  

*Photos from Nina Gbor and supplied by Secret Sisterhood

♥ Nina Gbor

 

Fashion and the environment by Nina Gbor

shutterstock_721120522.jpg

Fashion is one of the most polluting industries in the world. Majority of fashion’s environmental impact occurs during production. Whether the fabric is plant-based, animal-based or from crude oil, processes for conversion to fabric are environmentally intensive. Fashion consumption and disposal are also big contributors to environmental pollution.


Greenhouse Gas Emissions

The apparel and footwear industries are responsible for 8-10% of the world’s greenhouse gas emissions. And the climate effect of the fashion industry by the year 2030 is forecast to reach a near equivalent level with that of US’ current total annual greenhouse gas emissions (currently 4.9 gigatonnes of carbon dioxide).

The production, manufacture, transportation of millions of pieces of garments each year contributes to these high emission levels. In addition, countries powered by fossil fuels like Bangladesh, China and India are the biggest producers of apparel. To make matters worse, majority of modern clothing are made from petrochemical derivatives (polyester, nylon, acrylic) and require more energy-intensive processing that natural fibres (organic cotton, silk, wool, linen, cashmere, mohair).

Water Usage

When it comes to making textiles, a huge amount of water is used, For instance, it takes 2,700 litres to make one t-shirt! 20,000 litres of water is used to produce just 1 litre of cotton! The amount of water needed for growing cotton can lead to the risk of drought in some countries. An example is the Aral Sea which was once home to over 40,000 fishermen. Due to over-irrigation for cotton farming, the Aral Sea has become desert-like.

shutterstock_262966790.jpg

Water Pollution

Waste water containing toxic chemicals like lead, arsenic and mercury are pumped into the rivers and seas of the developing countries where they are produced from the factories. This is hazardous to the millions of people living in those areas as well as aquatic life.  From the seas, this toxicity eventually spreads round the world.

Toxic Chemical Pollution

Dyes, bleaches and other toxic chemicals are used in the production of clothing. These chemicals containing toxins, carcinogens and hormone disruptors remain on the clothing that we are sold in retail stores. Our skin is the largest organ of the body and the chemicals on our clothes can be absorbed through the skin, making this a real health hazard causing illness and potentially infertility. It’s advisable to wash all new clothes before wearing them.

The widespread use of chemicals, fertilisers and pesticides for cotton farming has been causing diseases and the early death of thousands of people for years in communities where they are used. In addition to soil degradation, massive freshwater bodies and the oceans have been polluted by these chemicals.

Microfibre (Plastic) Pollution

Synthetic fabrics (mostly plastic) are the most commonly used fabric in contemporary fashion. When washed, a polyester garment will shed 1,900 non-biodegradable microfibres that wash into the waters and eventually into the oceans. Microfibres constitute 85% of plastic pollution along shorelines. In addition to increasing oceanic plastic pollution, it’s a threat to aquatic life. Plastic absorbs chemicals. Small aquatic creatures eat the microfibres which eventually make their way up the food chain and onto our food plates, laced with carcinogenic chemicals. It’s best to opt for natural fabrics.

Soil Degradation

This is a huge environmental issue as it has an impact on both global food security and global warming. Healthy soil absorbs CO2 and it’s crucial for the ecosystem. Through the plentiful use of chemicals, deforestation and overgrazing of pastures from sheep and goats raised for wool production, the fashion industry has increased soil degradation.

Landfill Pollution

Currently we consume about 400% more clothing every year than we did 20 years ago with 80 billion new pieces every year, globally. In Australia, 85% of our new textiles end up in landfill every year and we throw out 6,000 kilos of fashion waste every 10 minutes.  This waste epidemic is because of fast fashion. Profit-driven fashion retailers use clever marketing for massive brainwashing so that in spite of having full wardrobes, shoppers feel they need to always have the latest trends. We can’t keep up with the cycle of trends, and nor can we consume at the rate at which we’re buying so we throw out many of our clothes. My solution; we need to GET OFF THE FASHION TRENDMILL and ignore the trend altogether.

Solutions

We’re beyond the point of needing positive change in this area. Whether or not you’re a follower of the latest trends, much of the stock in conventional retail stores are based on short fashion trends with synthetic fabrics that will be replaced by the next cycle in a small period of time.

Each garment has a story and a journey and it’s wonderful when you cherish it and look after your clothes for the long term. As a stylist, I recommend buying clothes that fit your colouring, body shape, personality and lifestyle instead of trends so that you love them for much longer. In all cases, natural fabrics are the best option. Three basic things you can do to build a sustainable wardrobe are

1. Before you buy, ask yourself if you really need it and how often you will use the garment. If it’s for one occasion, short term or just to feel good in the moment, consider, hiring or borrowing instead.  

2. Buy new from Ethical Labels. These are the brands that go far as they can to ensure everyone in the supply chain is paid a fair wage and minimal damage is done to the environment in manufacture and if possible, disposal. Use apps like Good on You to identify ethical brands.

3. Buy Preloved. Shop at op shops, markets, clothes swaps, garage sales, hand-me-downs, eBay, Carousell and other online second-hand platforms.

The Story behind the White Dress by Nina Gbor

white dress 2.jpg

As a girl that grew up adoring the style icons of Hollywood’s golden era (Sophia Loren, Rita Hayworth, Audrey Hepburn, etc), it’s obvious where my style influences come from. The 1950s is my favourite vintage fashion era. The dresses of that time embody beauty, elegance, femininity, romanticism.

nina gbor white dress 2

This is probably why it was love at first sight when I spotted this beautiful white, vintage, handmade, 1950s number at a market. It’s got white embroidered floral pieces sewn onto the front, length is just at the knee with a full skirt. So far, I’ve worn it to a fundraiser event at an art gallery, on a dinner date and once to the office.

nina gbor white dress 2

What I wonder, is the story behind this white dress? Considering that it’s handmade, perhaps it was made for a special occasion? A formal? A christening? Or judging by the style of matrimonial gowns in that era, could it have been someone’s wedding dress?

Buying vintage (clothes circa late 1930s to 1960s) is recycling, and therefore a big part of curating a sustainable wardrobe. It’s a wonderful way to save these beautiful, classic treasures from ending up in landfill. Many of them are handmade, well-tailored and of course unique. Moreover, the further back you go in time with vintage, the less likely you are to find synthetic fabrics like polyester. Most vintage pieces last many decades, unlike many of the clothes manufactured today. For this reason, I cherish my vintage pieces above my contemporary ones. They deserve the respect. A great vintage find like this white dress, is one that I’ll someday pass on to someone who would love it just as much. When this happens, I’ll also pass on my own story of the dress and then they too will begin their journey and make their own story.

nina gbor white dress 7
nina gbor white dress 5

STYLING

The Look: I wore this dress with a blue petticoat for a cheeky effect and paired it with my leopard print stilettos and vintage handbag (circa 1960s).

Styling tip: For a casual look, I would suggest wearing this dress without a petticoat, every day handbag and flats of some kind. It’ll still look beautiful, just a little more understated.

nina gbor white dress 8
nina gbor white dress 4

Sourced from:

White vintage dress: Rozelle Collectors Market

1960s vintage handbag: PDSA Charity Shop, UK

Photography by Angela Elgiva.

♥ Nina Gbor