How sustainable fashion leaders use technology to build more meaningful business by Nina Gbor

Fashion is the 7th biggest industry globally, currently worth $2.4 trillion. It is also the second most polluting industry in the world: creating 92 million tonnes of textile waste and 1.2 billion tonnes of carbon emissions, more than all international flights and marine shipping combined. 

With the global population expected to reach 8.5 billion by 2030 and our overall apparel consumption forecast to increase by 63%, there is no doubt that our current trajectory has us heading towards absolute catastrophe. 

Fortunately, change is in motion. 

Over the last 18 months there has been a radical shift in the overall mindset, reimagining the way we make, buy, use and dispose our clothes. Circularity being the goal, a means to achieve climate and resource protection whilst supporting economic growth.

Here in Europe, unique collaborations between Global Fashion Agenda (GFA), International Apparel Federation (IAF) and Sustainable Apparel Coalition (SAC) are stewarding transformative change to build a more circular economy, technology playing a pivotal part in facilitating this at scale.

I was curious to learn more about what sustainable fashion leaders back home are up to and how they are using technology to build more meaningful business. What better place to begin this conversation, than with a fellow female founder Natalie Johnson, CEO of Sustainable Fashion Marketplace, COVE.

Image: Natalie Johnson, CEO of COVE

Image: Natalie Johnson, CEO of COVE

What inspired you to move from “traditional" retail into sustainable fashion? 

I’m predominantly a fashion buyer with over 15 years’ experience in “traditional retail” but have spent a number of years working with start-ups in the fashion tech space. It was here that I was asked to be a judge at a pitch competition for fellow start-up companies in the ethical sector. One of the contestants was Gordon Renouf, Co-founder of Good on You. I was fascinated by his story and the huge traction he’d achieved. Everything he was creating aligned perfectly to my then side-hustle, COVE and I was keen to collaborate. It was actually Gordon who suggested I pivot my business model into the ethical space, which I did 18 months ago and have never looked back. When industry heavy weights like Farfetch, Yoox-Net-A-Porter and Matches Fashion are releasing “conscious” collections, and here in Australia The Iconic and David Jones have gotten behind transparency, you know it is not a trend – it’s here to stay.

 What significant differences between “traditional” and sustainable retail have you experienced?

The main difference I’ve noticed is mindset. There is a huge shift towards collaboration and community spirit in sustainable fashion. Everyone wants to share and help those around them succeed, it’s a very rewarding space to work amongst thought leaders taking risks and actually making positive impacts. The attitude of the customers in this space is also different. They’re incredibly passionate, kind and vocal. Gen Z in particular is an enormously powerful and educated sector, who wants to know the origins of items before they buy. This is making transparency a critical part of the value offering and will be price of entry for any fashion brand wanting to exist in 10 years. Another big difference with conscious shoppers is their loyalty and how they will become true brand ambassadors if they believe in your purpose. 


Can you share any particular insights around customer behaviours and how you are leveraging these to provide optimised experiences which directly impact your bottom-line?

Customers want to build trust, with where and how they shop. They realise that every time they’re opening their wallet, they’re voting for the world they want to live in. Whilst I don’t want to give away specific insights just yet, I will say our customers want to be heard. We have created a specific Facebook group for our most loyal VIP customers where we ask this community for their insights and road test some ideas before building out features. This has saved us valuable time and money and has been deeply insightful in how to map our priorities to deliver the most meaningful impact. Without our customers we are nothing, so it is important to us for them to feel involved.

Brands, like many businesses today, are more and more confronted with demands to play an active role to reduce their environmental footprint. What are some things your brand partners have adopted to get this balance right?

It’s not just about packaging however that is the biggest start. Many of our brands are switching from plastic polybags to biodegradable or compostable mail bags. We also have brands like Arnhem from Byron Bay that have incredible initiatives where they have a composting bin for their staff and even grow themfresh fruit & veg. Tigerlily are calculating and offsetting their carbon footprint, by only using sea freight vs airfreight to save tonnes on carbon emissions. There are other, simpler, considerations such as using recycled card and ribbons to tie on swing tags. From an apparel point of view it’s avoiding polyester like the plague. We want to ensure we never stock polyester garments. We can’t say with 100% confidence that a thread or label isn’t polyester, but we are working towards being polyester free and encouraging brand partners to never use it in their garments as there are enough green alternatives out there.

What tech solutions or changes have you made or are in the pipeline to reduce your environmental footprint and/or give back?

There’s little things such as the entire COVE team using Ecosia as our search engine, who plant 1 tree for every 45 web searches. They are currently up to over 60 million trees! We want to share our own contribution towards this with our community, so are in the process of developing a widget which will have a live counter of how many trees we as a company have planted and also how to offer this initiative to our customers at checkout so that together we can become carbon positive. One other element to our business model is licensing our Clo3D design software which helps brands improve efficiencies, reduce costs and lower emissions in the pre-production phase of garment sampling. Then there are bigger, more complex pieces of tech, such as building a blockchain with partners Flight Path for trusted radical transparency through brands & designers supply chains.We are also working on a new feature that will allow customers to either: buy new, rent, sell second hand or donate their product, in one convenient place. Plus at checkout, we’re partnered with i=Change; a charity platform where $1 is donated every time a transaction is made, which goes to empower young girls in underprivileged communities.

You're a passionate advocate for positive change. What is your secret to success? 

Collaboration. I cannot bring my vision to life on my own nor do I want to learn and build all the technologies required from scratch, especially when most of them exist. Instead my approach is to partner with masters within each area and work together to create a better future. We have been very strategic in our partnerships to ensure they not only align with COVE’s core values and long-term objectives but are positively changing behaviours and making a profound impact.

What shifts are you seeing brands take or not take to build a more circular economy?

Packaging is again the first visible and noticeable change. Fabric waste is starting to be minimised through the design process with tech like Gerber, which can layout your designs to optimise the fabric and eliminate/reduce waste. We’ve identified that designers do not generate revenue on the rental and second hand/donation side of the market. This could be a welcome change that tips behaviours towards building more innovative and circular models like those created by Threadtogether here in Australia or ThredUp in the USA. Moving to adapting a more circular model is slow. Not through reluctance. I think we can all agree everyone wants to be making this change, it’s through education and information. This may be because it is new, there are still many unknowns and costs associated that can make the changes seem prohibitive or restrictive. We think Anne Marie Bonneau says it best when she says “We don’t need a handful of people doing zero waste perfectly. We need millions of people doing it imperfectly.” and that’s what we encourage with our partners. 

It’s an incredibly exciting time in fashion tech, a sector which remains a Pandora’s box of opportunity to explore, create and transform in ways that delivers positive impact at scale. 

As we are witnessing the world over, the future does not need to be a compromise between achieving social, economic or environmental prosperity. We can have it all if we are collaborative, conscious and harness technology to create the much-needed systemic shifts towards a circular economy. 

Written by guest blogger, Penny Whitelaw, Co-Founder of To Me Love Me

Insta: @2meloveme I Facebook: @2MeLoveMe I Twitter: @WhitelawPenny

Bright Yellow Winter by Nina Gbor

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My wardrobe is full of vibrant colours to keep my style fun and playful. Recently the days have gotten shorter and the weather colder for many of us in the southern hemisphere. To help me mentally cope with the colder, darker days, I up the ante with BRIGHT, BOLD COLOURS!

Exhibit A: this super bright yellow early 1980s hand-me-down I got from my friend’s mother, Maryanne. Maryanne is my good friend Kylie’s mother and she has had this gorgeous yellow number since the early ‘80s before she had Kylie and her sisters! Fortunately for me, none of them wanted the dress so I got it. I rocked it with a pair of light brown studded falcon ankle boots I found in a preloved boutique. 

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Have you ever noticed that most Winter attire in retail are usually dark and neutral colours, while summer clothes are often bright, cheerful and colourful? I think it should totally be the other way around. We should have bright clothes in winter to raise the energy and ambience of the cold, dark days with cheery, vibrant colours. And then in summer, when we already have longer, brighter days, more sunshine and generally lighter moods as a result, we can opt for darker colours and/or just maintain the colour vibrancy. 

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 I do my best to extend my summer wardrobe through to winter by wearing thermals underneath clothes and jumpers when needed. This means I get more use from my clothes, buy less clothing for winter and therefore waste less clothing. And quite significantly, I get those bright, energetic, colour boosts in winter. It also has a positive effect on anyone who sees me on a winter day because they get hit with an uncommon dose of ebullience. 

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So, this dress is a metaphoric toast to those of us with winter days ahead of us for the next few months. Stay warm and keep it colourful! 

Outfit sourced from:

1980s yellow dress: Hand-me-down from Maryanne’s wardrobe.

Light brown studded falcon boots: U-Turn Preloved, Vintage, Designer Fashion Boutique

Photos by Brunela Fenalte Photography. 

♥ Nina Gbor

Secret Sisterhood social enterprise for women by Nina Gbor

Nina Gbor on the left hand side. Jacquie Love on the right hand side.

Nina Gbor on the left hand side. Jacquie Love on the right hand side.

I’m all for social enterprises that empower, uplift and inspire women. I spotted the lovely Jacquie Love outside of the International Women’s Day event, held by the UN Women National Committee Australia in Canberra last month. 

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Jacquie was raising funds for UN Women’s gender inequality initiatives by selling beautiful jewellery she designs for the label she founded, Secret Sisterhood. It’s a mission/purpose driven social enterprise that employs women in India to make the jewellery and then gives 100% of profits to charities aimed at ending gender inequality. 

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Secret Sisterhood is also a movement, a growing community of women and girls with the collective goal of ending gender equality. They are a global community connecting through events, services and of course jewellery.  One of the things that caught my eye at the UN Women event were the compliment cards from Secret Sisterhood. Inscribed with phrases like “You are really strong” or “You should be so proud”, this is the perfect thing to completely shift someone’s day into a happy one. I might even keep a few in my wallet as my self-love affirmations.

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I also loved their Intentional Words jewellery line each with words like Love, Gratitude, Kindness and Peace. These are pieces I would wear with nearly any style of outfit. It feels good having a positive word or symbol with me all day long. 

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Needless to say, I’m now officially a fan of Secret Sisterhood. It’s one of the exemplary enterprises, showing how a business can be run in a way that uplifts, supports everyone involved.  

*Photos from Nina Gbor and supplied by Secret Sisterhood

♥ Nina Gbor

 

Nina Ballerina by Nina Gbor

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Nina Ballerina is what my friend’s 4-year-old, Gracie, used to call me because she loved my tulle skirts. This pretty floral piece is a perfect example. To me though, the skirts are a little more Carrie Bradshaw than ballerina. At least that’s where the style inspo came from. Carrie Bradshaw is like THE modern style icon that carried the torch after the historic style legends like Grace, Audrey, etc. Carrie Bradshaw knows how to pull off vintage styles in modern ways. Her fearless style takes risks and incorporates different style personalities whilst staying true to herself. RESPECT.

Carrie Bradshaw, iconic character in Sex & the City.

Carrie Bradshaw, iconic character in Sex & the City.

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Thanks to Sex and the City Costume Designer, Patricia Field, we will always be able to draw inspiration from the character Carrie Bradshaw’s timeless style.

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Even though this pretty, feminine skirt is not vintage, it’s very much in line with my love for 1950s style. So far I’ve worn it to the opening night of an art exhibition, a film screening, a date and a party. It’s an easy go-to piece for occasions where you want to look cute, feminine and not too grown-up or dressed up. I’m no ballerina but I sure do love to dress like one! 

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STYLING

I chose to go simple for this look. It was a chilly day so I wore the skirt with a white long-sleeve thermal and plain white heels.

Style tip 1: For a patterned skirt like this one, try mixing with a pattered top. The trick is to make sure there is at one matching colour between the skirt and the top. Use your eyes and gut feel to know if the combo works together.

Style tip 2: If you prefer to keep it simple, try a plain coloured top like a white tank top, t-shirt or shirt with a collar. The length of this skirt gives the opportunity for shoe diversity from knee-high boots to ankle boots to heels or flats.

Style tip 3: It’s a voluminous skirt so opt for a smallish top if you’re able. This will create balance between the top and the bottom.

Outfit sourced from:

Preloved ‘ballerina’ skirt: Australian Red Cross Op Shop, Civic.

White thermal: Staple from my wardrobe

White heels: Staple from my wardrobe

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Photography by Brunela Fenalte Photography

♥ Nina Gbor






Regina style magic by Nina Gbor

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Regina. Whenever I look at this regal, majestic vintage piece, the name Regina comes to mind. She is a royal, bold goddess but at the same time, soft and romantic. Regina is an original 1960s, cotton Malaysian maxi dress I found at Three Sixty vintage market a couple of years ago. When I spotted a magenta fabric sticking out in between a tightly-packed rack of vintage goodies, I knew straight away she was meant for me. Magenta colour on my skin tone is a match made in heaven.

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Regina with her vibrant colour, queenly cut, puffy sleeves, collar, full, long skirt and soft, light fabric is without a doubt, a one-of-a-kind piece. She is an ensemble with a life of her own that wears you, instead of the other way round. She turns heads and commands respect. This was the persona that overcame me the day I wore Regina.

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This occurrence is what I call style magic. It’s the boost in confidence or the shift in energy you get from an outfit. If you wear the uniform of a queen, you start to feel like a queen, and therefore act like a queen. If you’re lucky you might even become one! This is the philosophy I use with my style clients to help them look, feel and achieve their goals. It’s style alchemy. Style can be used to evolve to the best version of yourself. Yes, I just gave you on a style personal development strategy. Try it and let me know how it works for you.

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STYLING

The look: Naturally, I chose a white belt to synch in at the waist with Regina. This particular belt has an art deco buckle. As a lover of 50s fashion, I spend about 70% of my life in a petticoat so Regina was no exception. It gives the skirt a fuller look and emphasises the synched in waist. I finished this look with white ankle boot shoes.

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Style tip: With its light fabric, a dress like this can be worn in summer with sandals or other summer shoes. It’s great for protecting your skin from the sun.

Try: This dress, like most dresses can double up as a top. Achieve this tip simply by wearing a skirt over it like I did in this throwback photo. I wore a 1960s vintage Sally Browne plaid skirt over the dress.

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Autumn/Winter Styling: Most Winter clothes are dark and neutral, and I believe in bringing bright, vibrant colour to those cold, dreary Winter days to cheer things up. Because of its long sleeves, I wear thermals (long-sleeve t-shirt and leggings) underneath this dress in Winter to stay warm, yet stylish. And then boots to finish off the Winter look. You can try this trick with your summer maxi dresses.

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Outfits sourced from:

Regina 1960s vintage dressThreeSixty Vintage Market

1960s Sally Browne vintage Skirt ThreeSixty Vintage Market

White art deco belt and white shoesSalvos Stores Op Shop

Photography by Angela Elgiva. Throwback photo by Oliver Weiler.

♥ Nina Gbor